The Friars

28.2.06

CLOQ

so as to move forward
my pockets fill with wind
my arms are set wide
and my hard drive is full
but its my clock that runs slow
keeping random time
as icicles don’t melt
but perspire
where as, it's the moon that keeps its cool
visits all the nicest places
while its best friend warms the avenues
and by-ways during the day
and in case, there is night
there are lights
that warm people far away
and warm me
seated on the melting wind

l'a-ro

27.2.06

CLOCKS

sometimes the moon gets in my skin
and i can't remember tomorrow
only what it will bring
then it all seems to shift
like plate tectonics and divine
inspiration
i gather up my pack and sing
while the road is open
and my burden unheavy
all time leads to avenues
more or less travelled and
the tips of my fingers burn
as i turn the hands counter
so as to move forward

-- el vikingo

24.2.06

Langston Hughes; The Weary Blues

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway....
He did a lazy sway....
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man's soul.
O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan--
"Ain't got nobody ain all this world,
Ain't got nobody but ma self.
I's gwine to quit ma frownin'
And put ma troubles on the shelf."
Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more--
"I got the Weary Blues
And I can't be satisfied.
Got the Weary Blues
And can't be satisfied--
I ain't happy no mo'
And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.

posted by: l'a-ro

Check-Point Basra Affidavit (in Heroic Couplets)

A flame peeled forth and split the night.

I’d kept one eye winked shut to save my sight.

For flares and muzzle flashes we’d been trained

to be half blind when darkness came.

Then tracers poured down from above.

The 60’d opened up its sturdy love;

then paused, the barrel got too hot I guess.

My closed eye opened to a riddled mess.

The car that didn’t listen would get towed,

all cleaned up before the shells got cold.

The captain yelled about a job well done;

“If they don’t get English, they’ll get the gun”.

I chewed my tongue till it got raw

and swallowed down, and reloaded my SAW.


Then some Brass came and asked,

which one fired first.

Who turned a car of Iraqi senators

into a crumpled hearse?


And then my captain told them it was me,

"stand trial... and, make your apology".



l'a-ro

60 (sixty): M-60 machine gun, belt feed, 7.62mm

SAW (Squad Automatic Weapon): M-249, belt feed, 5.56mm

Brass: U.S. Military rank of Colonel (0-4) and above.

Tracer: Phosphorous round (bullet) that burns as it travles through the air, often mingled one in seven with standard rounds in a belt of automatic weapon's ammunition. The streak helps one zero in on a target's center mass in low light conditions; or just trim the woodline.

20.2.06

inner limits

I was made a decade later (like most girlfriends, I hear).
My rockhouse (worn with new furniture) still stands yet
I am a stranger there. There is no room service. My room
Now belongs to guests. I am no guest. I guess
I cannot measure myself with habitat.

I arrived on time, to the day (I'm told) and on that day
My brother planted a tree out front. Taller than the neighborhood,
I found comfort in the height (my true place in the sky?)
Last week I found a pile of sawdust in its place. I guess
I cannot measure myself with nature.

I grew outside of my own skin, and searched for my face
In the child's den of imagination (sheets on chairs make Kenyan huts)
When no one had implanted my Anglo wall. I learned about
Inflexible features the hardest way I could. I guess
I cannot measure myself with exterior.

I let my spirit soar. It has not returned yet
So I wait for it in cigarette swirls. I like the way
They dance on sunlight. They say five minutes of me
Has gone up in smoke. I am supposed to care. I guess,
I cannot measure myself.
~la haba lima

18.2.06

Not a 3 ACT man. . . A three RING. . .

First, an expansion from last time. . . .
What I'm getting at is different altogether -
Here's a story. Around 1980, my dad was at a hypnosis convention in Chicago. Now, it's hard to find a group that knows so little about their business. The state of education in that profession is mainly geared towards technique, rather than theory. There was a buzz at this event about 'rapid induction techniques' - like you sometimes used to see in theatrical demonstrations -stage hypnosis - where a hypnotist snaps his fingers or something and a person goes out like a light. It got to be a sport there, where the assembled hypnotists would try it out on each other. There was a woman there who was holding forth that 'no one can get ME . . . ' Feeling this came under the heading of his favorite game, 'the Neurotic doesn't get to win' , he walked over to her and said 'SLEEP' and she was out like a light. How did this happen? Your mind has one main function, and that is to act as though what you imagine to be true IS TRUE, and it will go to great lengths to carry that mission out. The woman in this story had many beliefs - most pertinent was the one that 'people could be got' -she was already 9/10ths there
Skepticism denotes many beliefs - a belief in things to be found out, a beliefs about the tools of inquiry, beliefs about variable sincerity - that's the FRAMEWORK for our PATTERNS and it's often invisible. The point of all this isn't a jape at 'skeptimizationology' of skepticism, but to test your commitment to the frame. But I think the theme for THIS century will be a 'looking beyond' that, as opposed to the 'looking back' . I bring this up for two reasons. One, these beliefs are often a blindspot that limits the scope of our art. In one sense, beliefs AREN'T temporary; they can outlast us all. Knowledge is temporary -VIRTUE is more interesting to me, and that's what I see as the struggle in our literature here. It's virtue, not knowledge that leads to our tears for the sufferings of the world, the joy of our lives, or the contempt for hypocrisies.

The point of all that is that's where the 6th and 7th dimensions lie.
- two. . . . .
This is a test -it is only a test . . . .But consider: the theme of our people right now is escapism. That comes in many forms, and it's easy to do. Easier to look at another's forms of escape and discount our OWN, cos they don't look the same. This Blog might be holding us back if it makes everyone too comfortable. What I would like, would to be able to go and buy something written by these friars, like people do. Maybe sometime in, say, a year. Then I would be reassured.
One of my favorite things is to mock the President and Paris Hilton -Word, if you're so rich, how come you ain't smart! ! ! ! -Yet they are both big successes, at the top of their respective fields. Knowledge itself isn't a requirement. We'll look at what is in a minute. I don't know that alot of the reading we've done the last couple years has done much more than enabled us to have a discussion about our reading. to Paraphrase St BOb,
We've been with the professors and they've all liked our looks
with great lawyers, we've discussed lepers and crooks
I've been through all of F Scott Fitzgerald's books. . . . .
I'm working here, the theme of all these posts, to ensure we have the tools to deal with that something that is happening.
I don't see us living radically different lives or producing art much different than anyone elses. For all our discussion of humanistic thought, no one seems to have any way to adress the philosophy rampant today that secular humanism FAILED -it's a mantra that unites the fundementalists of all faiths. If all that study is going to change those minds, I'm all for it. If there's no transformative power to the knowledge, of what use? ? ? Our own cleverness is a drug worse than TV. So what I'm asking for is that we all do an agonizing reappraisal, root out our respective blindspots, and go forth and conquer the world. I expect alot from this crew, dammit.

II. The Cult of Originality and. . . . . YOU

This is something we've back burnered, but perhaps now is the time. . . .
In certain circles, where the impotence of human knowlege is much derided, the cause of said derision is this -we like to isolate a piece of local reality, create patterns, and then describe them. [This is okay as a game, but as an art or a science just won't do at all. Giving patterns to humans is a bit like giving whiskey to the Native Amearicans, or Synthesizers the the Europeans. . . ]This is pehaps the FUNDAMENTAL human activity -all our urges towards cosmology, religion, politics, seem to me to have root here. This is why the vaunting of knowledge is alarming to me. Virtue can't be made out of knowledge alone, just as we can't make concrete only out of sand.

There seem to be two kinds of people,
( and I'm not recanting my Silver Pants Doctrine here - I just don't know which is a subset of the other) The ones who are happy describing other patterns, and the ones who occasionally do the entire process from scratch. This is sometimes called 'originality'.
I agree with New York Rachel - I'm often disappointed to find an artist lacking in that department -but on further examination, I think it really has to do with a resentment in the way fame is apportioned. We get angry with others declaring our gods FOR us.There's alot of buzz about Dylan this last year. What we can see is that Dylan has never played a new form of music in his life. His career has two phases -using the old forms as a launching platform for his amazing lyrics, and later he would start to write to the form. There's always a 'New to You' factor in the arts. It's low to take undue credit in the world of pure art. In showbiz, that's an artform, dang und sich.
We are living in a time of rebellion against the individual. In order not to tread on anyone's self esteem, we're not promoting GREAT individuals and their accomplisments. In the field of education, we are stressing collabrative effort, and more, collabrative interpretation, which in light of our narcissitic problems, has a certain sinister quality to me -and it's no accident that all this started with the Boomers. . . .That's right. It's the current trend. Don't take it for more than that. A reaction to the way historic fame was apportioned when THEY were in school.
It's defiling the entertainment industry, from the reality shows, where the stars are comprhensively average, to the current crop of celebs -no charisma required.
We are being brainwashed into thinking that changes are only the product of many broad factors, and it's already hurting our ability to innovate.
When Jelly Roll Morton claims to have invented Jazz, we laugh -cos we believe, as an article of faith, that it's impossible. [and even I agree -everyone knows coronetist Buddy Bolden invented it a generation before. ] Civilization advances only when someone does something different than the person next to them. Prof Max Muller points out that 'The true history of the world must always be the history of the few. We measure the himalyas by the height of mount everest. We must take the true measure of INdia from the poets of the vedas, the sages of the upanishads . . . and not from the millions who are born and die in their villages, who have never once been roused from their drowsy dream of life. ' St Exupery refines this to the fundamental question of culture 'Who is to be born? ? ? We are not a flock to be fattened up, and the appearance of one poor Pascal is of more weight than a few prosperous nonentities. '

Bringing it all back home
Let's pause for a moment to look at Art, 'capital A' ART -that's one thing, and to be involved in it is also to accept that your audience may not even be born yet. I must admit, with something akin to a grimace, that F. Scott Fitzgerald is more popular now than in his own lifetime.
When we leave the pure world, and want to DO IT FOR A LIVING, that's where we cross over into show business, and there is a different skill set entirely. BE ready for the shift. 'Smart' isn't a factor in this world. Look at me - A simple fop, a dandy, a BIMBO -yet I get more party invitations than The Brain and Little Rachel, [the two smartest humans on earth] put together. Partygoing is something to brush up on. It came as a shock to me to realize that Jay -Z's reputation was made, not on the mean streets of new york, but at Lizzie Grubman's parties in the Hamptons. Bessie Smith delivered a beatdown in the same situation, but our modern rappers lapped it up. Know what this means. Know who the partygoers are. They are a tribe unto themselves. Date a few D-girls -get a feel for what awaits. . . .

III. Crowding the Pot - Wabi Sabi rides again . . . .
I want to share a great and elegant Wabi-Sabi statement on relationships, Courtesy of the Brain.
'The aesthetic of a girl can be viewed in parts. The pieces combine to shape the whole. It becomes a question of whether it is some of the pieces you love about the girl or the actual whole. If you removed a piece or added one would the composition change so much that it was no longer the same girl to you? How many pieces must change to suddenly see a new girl? Do you love what is, what was, or what will be? Does a part of the composition change so much that the aesthetic changes? Does the aesthetic resonate what is in you? ? Is love the reflection of your aesthetic? Aesthetic is what weaves through the parts and pulls them together. It is there because of the parts but is what unifies the parts. To love the aesthetic is to love the whole girl. By loving the whole you also embrace the flaws. It becomes important to realize the dissolution or destruction of a girl (by herself) may be a part of her aesthetic. If you love the whole you will be at peace with the dissolution of the whole for that is the nature of the whole. If you love just the pieces you will be more troubled by the dissolution because you will not understand that that was the fate of the girl caused by her aesthetic. . . with the dissolution of something what you may really be mourning is you anyway. By loving another you are loving yourself because you are the source of that love. You generate the love that is projected outward. How much of any girl is you?
"one holds beings dear not out of love for beings;
rather it is out of love for oneself
that one holds beings dear."
-Brhadaranyaka Upanishad
If you do not control your love you do not control yourself. If you do not know why you love you do not know yourself.
'Men, women,
and their shadows
dancing'
-Santoka Taneda
Eachh girl is an exploration of yourself. A yoga of girlhood. By being mindful of a girls aesthetic and how it relates to your own, you can see which pieces of a girl drive you. If what you really like about a girl is really the whole girl or just some part you can find in another girl. Do not confuse the aesthetic of a girl with a few dominant parts. Do not get pulled down by the undertow of your own needs.
"When a man rightly sees
He sees all,
He wins all,
Completely."
-Chandogya Upanishad

"So many flea bites
But on her lovely
young skin
They are beautiful"
-Issa
Your Friend,
Nathan 8/8/03
Will this post never end ? ? ? ?
yeah, here it comes. I want to add a couple links here - http://www.normalbobsmith.com/publicity&promotion/pamphlets.html
and
http://www.normalbobsmith.com/askgod/
and here is the long lost islamic heretic Hakim Bey link
http://hermetic.com/bey/
I would like us all to pause and serioulsy consider the ramifications of Lycos presenting an award to Pam Anderson for being the most requested search item for the past 10 years running! ! ! ! ! I'm aware that in it's prime Baywatch entertained slightly over two billion viewers a week world wide, which I think puts it ahead of any of the major religions, but this isn't what Al Gore and I had in mind when we built this information superhighway for you.
-El Pirata

16.2.06

Stone E-piss-tle

A word such as belief has the connotation of impermanence—good, so am I. The absolute is pretend stuff for cowards, for the mediocre and their prison circles.


A word, a concept—fine, whatever; but I believe in knowledge, and knowledge is the product of problem solving—hunches, feelings, successes and failures. The landscape of life is ever changing, new annoyances, new challenges—thank you; this is life. Life is action. Love its celebration.


Buckminster Fuller lost it all one day, on Wall Street. He stood in a window ready to hurtle himself onto the pavement below where men moved like ants. He stopped. He thought to instead live as if he had died. The world was on his time.


I meet a man on the steps of the Paris Opera. He had been temporary labor at the Atlanta Olympics. He’d fallen three stories and landed on his head. They called his mother. Told her not to come. Not to bother. He woke-up. They put a plate in his head. He said to me, “I shouldn’t be here. This is all gravy”.



...and then there is Saint Lance. He was a handsome man who went off to war. He came back. Could never wash off the blood. His heart fought in the dark. He lingered outside the hall where his friend, my uncle, was married. Lance didn't like crowds. His hands trembled. He opened a slow smiled and said, "Give 'em hell". He'd gone as far as he could. Last year he found the final peace.


alone he'd take the ships away
unable to hear the radio
down the river of stillest night
skipper to hulls of scrapped metal
down to the gulf of mexico


Once I had been so depressed that I approached the edge of my own murder. But I killed the prison instead. As if I found a control panel with two buttons, one marked “me”, the other labeled, “shame”. It can go to hell. I don’t give a flying fuck about the made up madness of the world. That is its problem, its folly, its worn symbols and flags. Guilt is their game of unity. I bear it no responsibility. I was born with out sin, without country. And God is one with allnot seperate from creation; there is no one to thank. What I have is longing. The next breath. What I have is joy. This is gravy. The unwrapped gift. This is my time. Love is my power.


I am a skeptic (among other things, like some thought from Unamuno, Spinoza, Collingwood, Braudel) in the exercise of curiousity and out of convenience. It gets me where I am going, like a beater car, and it's disposable; it, like all ideas and beliefs, are there to serve--to be tested and transformed; here is pragmatisim. And I add, that I feel the weight of death. And through this, respect all those who too will die--and through the will to live, I find kinship.


As far as writing in school—writing can not be taught, only forms. For me, that means the story. I am not talking about content (which can't be taught either) but delivery. And frequent response to my work has helped me understand what works and what does not. And rule one is to make everything specific and nothing general, to try and illustrate the details that circle around us: the tics of a radiator, the sun that yesterday looked like a cotton ball floating in milk--to give the word flesh.




l'a-ro



--missing the great sun blessed state of Texas. Here is a quick tale:



Apprehension


I sat down to play piano tonight, after a nap, the first time since all that stuff began. I am not complaining. I was being well paid, and now I'm being very well paid. Lost my last boss though. That could look bad. But they told me no one will ever ask. And it hasn’t come-up yet.


It’s nice to get back to the piano, unwind. Fall into the music, let the sound support me along with a martini. And call me nuts, but I need the candles burning, in place of the flowers, from that pair of swing-out vases. The Kimbell brothers put something special in their uprights from 28, booze hall bound. They strung them tight with optimism; it chirps like a giggling girl as much as it buzzes and hums, rattling the cracks and fissures. Some dampeners let go, when? Sometime before I got it. As near as I can make out, it’s mostly a D chord with some sharpened ninths—and it drones like a steam shovel. God damn phones ringing again. And someones at the door. If I keep playing, maybe they’ll go away. Probably the neighbors. What could it hurt to see.


“Officer. Can I help you?” I can’t see any reason for the gun, the vests.
“You Tildy?”
“Is it too late to play piano in this building?”
“Yeah. It’s too late. Step out into the hall please.” I was able to pass for non-threatening.


This is not looking good. It’d be better if I wasn’t wearing my piece. They found it. These again—the cuffs and my Rights. It’s like a fucking civics class. You’d think, after they read it to ya once, you’d be covered.


Damn, they got Zippo in another car. They must have gone out and had a field trip. They got a piano in the Psych ward at County. But I don’t know how easy it is to get in there anymore. Al’albin said you had to do some crazy shit to get in their these days and he’s a crazy mother fucker. Spending all his time prayen. They find every lick of goodness in this world and take it away.


This is probably for that stiff. I didn’t have shit to do with that bomb. That’s bad luck that’s all. Shit happens. History is made of that. It’s not like the crops won’t grow back. Didn’t have nothin to do with it. In fact, I was as shocked as everyone else.


An F.B.I guy is riding along in the front. Not for one stiff. Can't even tell who is who these days. Why did they give me the fucking Koran to read? They’re gonna fuckin find that shit. Thier radio isn’t even on.


Where the fuck are we going? We're getting on the freeway. He told the cop to power down the windows. In the rush of air he starts talking, Bluetooth flashing in his ear. And I can’t hear a word.


“Hey. Hey. I know my fucking rights. You have to keep me comfortable. It’s cold back here.” I yell and yell, and make the passenger look back and scowl. I have to go to the bathroom. The Psych ward chip starts here. How did that shit go? “La, il allah, il alla.”





Stone Piss

" They have something of which they are proud. What do they call that which makes them proud? Education they call it; it distinguishes them from goatherds. That is why they do not like to hear the word 'contempt' applied to them. Let me address their pride. Let me speak to them of what is most contemptible. . .
Where is beauty? Where I must will with all my will; Where I want to love and perish, that an image may not remain a mere image.
Loving and perishing -that has rhymed for eternities. The will to love, that is to be willing also to die. Thus I speak to you cowards!
But now your emasculated leers wish to be called 'contemplation' - and that which permits itself to be touched by cowardly glances you call 'beautiful' -how you soil noble names!
-But this shall be your curse, you who are immaculate, you pure perceivers, that you shall never give birth. . . . verily, you fill your mouth with noble words; and are we to believe that your heart is overflowing, you liars!
But my words are small, despised, crooked words: gladly I pick up what falls under your table.
-Frederich Nietzsche Thus Spoke Zarathustra

This week has been a bit better.
First, be aware that you can apply for a scholarship from the Liberace foundation for tuition [10 grand ] in any of the arts. -even the 'crafts' like creative writing. [though be warned -the experts are saying that schooling is hurting your writing!.] [what experts? That'd be Cousin and the Brain.] Not only will you be known as 'A Liberace Scholar' , you get a silver candelabra s part of the award! [as we can see, the Juliard plotline develops. . . ]

Next, if you really want to challenge what you think you think, get over to Hermetic and check out the bizarre world of Hakim Bey. I read a very serious discussion on sorcery as the last tenable refuge of capitalist culture - that can be taken many ways, but in my illusion mode this year, sorcery can be interpreted easily as 'intellectual properties' - and then the whole argument sings in a hair raising manner. This is not for the fashionably eccentric. It's a bit like reading a good amount of Charles Fort (at least one book) -starts out novel, then gets slightly terrifying as you realize you now think differently. . . . . [that's when I get distracted -who knows what would happen if you tried to read it all at once. . . ]

I've got that weird feeling going around town you get when you're about to break up with someone -maybe you haven't told them yet, but things look poignant in a 'I won't be seeing this any more' kind of way. . . ' I went over to the WestSide today -I'm a little sad that the Soul Food revival has sort of rolled back across woodward even. Found two local secrets -McNichols Electric, an amazing repair place that also sells refurbished Viking Hardware on the cheap. [JM, we found the blender for you! ] The rebellion against Kitchen-Aid living starts here! ! ! Parked outside was the definitive west side statement - a rusted out lincoln, trunk held down with bungee cords, and Rims that cost more than the car.
Stopped up in Royal Oak, and finally could put my finger on what has always grated on me there - there was a certain type of person in the 70's . . . the term yuppie hadn't been invented yet, and was tooo general . . . these were the assholes who bought the LeCar! ! ! ! They built a colony! [while it is true that all of our consumption patterns [yours too! Especially yours!] are ornamental in nature, this is strictly a mnemonic appeal -you remember them or you were too young.]

This incident sums it all up:
I went to the local grocer - There was a section of PowerBars, Cliff Bars, Etc - what white Zin is to wino's , these treats for junkies who won't take ensure, cos it'd be like admitting you have a problem. . . . So an over the hill clown in a track suit was watching this guy stock the shelves - 'Are you putting out chocolate nectar? ? ' he asked in a tone rude enough to get a beatdown on the EASTside . . . 'I figure you ARE, cos you're putting out these boxes. ' You see, he had to point out he was so observant - yet when it was indicated that none of the boxes he so cleverly noted contained his bounty, he went into a certain mode unknown in public east, known as 'the snit' -Now, this isn't terrible -it's about all they're capable of. But enough of these snits, and they get on those anti-depressants and then drive their cars around the rest of us. . . . [go and read the fine print on this new Wellbutrin drug - listed among the side effects are 'suicidal thoughts and actions'. What do you think it took for a pharmacutecal company to have to put that 'and actions' there? ? ?] Either that or they become what my mom calls, with great derision, a 'Charles Shaw Wino.'
And there you have it. All mysterious driving paterns explained.
The thing is, they are cynics about everything, except their ENTITLEMENT TO HAVE THEIR EXPECTATIONS MET. Let's examine this closely. This is the post watergate generation and their progeny. They should know alot better.
To be thusly cynical isn't the same as a skeptic. [which is really a high form of idealism, bracing itself for the disappointment perhaps, maybe even more comfortable with the disappointment in fact, but still a deep form of belief. ]
No, this is petty -this is personal, and every minor setback is at odds with a whole network of nueroses - The clown in the story actually was still standing when I left, expecting someone to 'fill the void' . This is why I hate the west side.

I went home and popped in a video tape from the San Diego chamber of commerce, explaining how much fun the city of San Diego and I could have together.
Something from our holiday discussion I keep meaning to get back to, is the notion that the age of Rock is over now, because we can explain it. What's really going on in the 'now' is beyond your ken. I think this is true of damn near everything -we kill by definition. A misplaced Ideal of mine as an artist is that I will 'arrive' at a place where I have a total command and understanding of the new thing I have developed, and then will go start a fire with it. There's no point waiting for that arrival. This is really the difference between 'ART' and 'SCIENCE', the need for that intuitive streak that let's us keep working without the need for precise definitions or the cadence 'all other things being equal. . . '
Heisenberg and Schroedinger have the math if you need this proved, but that's not actually the important part of this. [see how this is all tying together -when we don't get caught up trying to be right or wrong, we can notice the essential -] It's how to enjoy things as they are coming and going.
There is an entire philosophy/aesthetic movement in Japaneese art relating to that called Wabi-Sabi. It's misunderstood, but the real thing is well explained in "WabiSabi, For artists and designers, poets and Philosophers", By Leonard Koren. [in true nick tosches manner, believe nothing unless you hear it there first!] Duende is understood, and expanded here. Just for openers, there is a beauty of a thing coming into being, and a beauty of a thing going out of being. We can look at an artist from the past's career and see 'a line of development' that doesn't exist for us NOW, so it would be a symptom of narcissitic escapism to look for it yourself. One of the benefits of spending time in wabi-sabi land is to devolop a double sight. Belive me, the Kimono Club has already discussed our next phase around the teapot. So relax. your art will come and go as a natural evolution, and not as a result of a great effort on your part. save that for your works. You are already created.
This is getting long, but next time I will include my favorite wabi-sabi statement. And I promise more music stuff.
PS
I revised, greatly expanded, and corrected the goodbye motown post, so give it a check.
-EL Pirata

15.2.06

braidios a

I am this blue stone
Silcone mind
Eroded over time
Afraid not to stand in one place
I am this full bottle
Shattering on stairs
Forty seven razors
Smooth to the touch
I am this room
Textured walls of stucco
Windowless torture
A map of the world
I am this man
Six feet some
White as an Englishman
A bag of toxicity


-el humanista

b b braidios

i was built in the seventies
iron, steel, and glass
from science and music
religion minnesota
and coal pennsylvania
i was built in the seventies
dropped down from the moon
landing in a field of gasoline flowers
don't remember how to break
just plug me in and juice my soul
i was built in the seventies
i'll never be obsolete

--el vikingo



bradios

my soul is made for combat
wins with every breath
on a wire strung
between fire and wave
a length of heart cord
walked in wooden shoes
with coal miner eyes
and swollen tounge
eager
and happy laughing
with a shotgunned
spaghettied chest
wounded
and walking
along a wire
strung between fire and wave
bathed in the blood of the sun
boyant in the glow of the moon

l'a-ro

9.2.06

The was of a place

The chives, they used to grow in clumps running along the red cedar fence in the backyard. They always sprang back. The lawn mower would leave stumps. The air would get thick with their severed green sweetness. Within a summer’s week they’d be back.


Tony’s dad got him a silver Puch moped just to buzz up and down the street. Eddie would practice putting under his pine trees and talk to the kids about last night at the Duchess pleasure club. There were even parades, drums in the air, a powder blue Cadillac convertible, the passing chariot for a sashed and satined beauty queen; and children peered from behind legs, eyes on the clowns while reaching for thrown candy.


The bells of the knifeman’s cart still jingled over the slabs of root lifted sidewalks. The crossing guards were volunteers. And Twin Pines dairy left your order in the milk chute while you slept. Then, the streetlights blinked out, and back on, for days at a time. We stared out the window at the dark street—perplexed. Never thought that there had been a switch.


Chain link fences started to sag and clack. The sky drained when they pulped the elms. And up there by the mailbox, they broke her finger while ripping off her ring. Squeaking bicycles and screen doors fell still. The transformers up on the poles began to hum, joined by the distant hoot of the train carrying it all away. The elderly started to look like survivors, hangers-on, ashy and rumpled, obstinately taking walks to where people used to smile. And finally, the weeds choked out the chives.


l'a-ro

DON'T CUT YOUR FINGERS ON A BROKEN CITY

now pirata... those aren't very empowering words... Ha!
i've lived and breathed directly in this city for ten years
now and i couldn't agree more with much of your sentiment.
During this last mayoral election when Kwame racially bullied his
way back into office, it was pathetic! Everytime Mr. Hendrix cited
something that was wrong and how he would fix it, Mr. Kilpatrick
scolded Freman for not empowering the city with NICE talk. As if
skewed binoculars and flower-vision make everything OKAY.
Because of this damned Super Bowl (and i love football). Our city
sort of fixed some roads, painted some outsides of lost buildings,
put up fake storefronts and pretended "nothing bad ever happens
to me!"
I love this place... the feel, the color, the pain, the desperation, the love.
but, any fixing must take place from the inside... not the outside!
don't spill paint over a broken heart and listen to the glory of this city.
a stranger once said:
"detroit is amazing, you can hear the dead talking to you here."

-el vikingo

Goodbye Motown. . . .

It's been another crazy week here.
As you have doubtless guessed, I really don't write, per se -I just use this to communicate with the three of you at once. My attitude towards writing has soured a little further . . . .it presupposes certain vanities. . . particularly vanities of breath that it's been driven home to me, in many ways, are not to be taken for granted.
Everyone is talking about the future -the 8 bit quantum computer the austrians have out, the new lsa class airplanes you can fly with only 20 hours, a new war to make us forget the current two. . . .
I was emailing Dave, and I realized - It's easy to like your town or city. It's harder to like your country,
and the world just dares you -just fucking dares you to. I don't worry about it too much - I know there will always be people like Tuxedo Ed who will always defiantly love it all, beyond reason. But this last weekend has made me deeply ashamed of the city of my birth, and I don't think it will ever be right again.
I don't mind an unjust war -they come along for every generation. Our current crop has nothing on the Philipines war they so resemble, with the Islamic fanatics, secret detention camps, big money changing hands, under-armed service men. . . been there, done that. . . . probably we'll look back on Iraq as the Spanish Civil war of our times
it's only the very dumb or very innocent who can still be shocked by the 'America does bad things? And then says it's the good guy? ? ?' -maybe this next war with Iran will show us something new. . .
But here in the D - a place so poor, grumpy, and until this weekend honest. . .
On super Saturday, Kyle Smith and her pal Jeff Peterson were shot up outside the Maverick's Good Life lounge. Smith took five in the chest, Peterson one in the leg, during a 'bumping incident'. In and of itself, this happens more than everyday. Just one of about 320 homicides [and another 20o or so killings pleabargained to various manslaughters, which since the Archer era don't have to be added to the murder rate, presenting us a rosier statistical picture. ] Certainly, this deserved to be a public relations nightmare -two white girls shot in the street, just lining up to get into a bar. . . . in order to squelch any racial overtones, the police description of the shooter was not released to the press, [indicating. . . . what, exactly? ]
The story was buried. Banished to the back page. Since the NFL left town, it's like it never happened. (like those three helicopters that went down in one day last week in Iraq.)
That the story was supressed, that ironically this white girl was a native Detroiter, taken for a tourist, that the description wasn't released - never have I seen such a craven hand out for 'white money'. -Not since Coleman 'bought' all those krugerands and had the people mover built out of South African steel. There is a message -that it's not okay for detroit to appear as a place where people can get blown away in the midst of the superbowl festivities - even though it is, the PROBLEM is that it might LOOK that way.
If there is some post-superbowl boom for the city, in a way, this girl is the blood sacrifice. The situation was 'handled'.
And that's not okay.
It's cost this city my love, which, in truth was it's only asset. I was always sort of proud of Detroit being the murder capitol.
Now it's a capitol of lip service and mendacity. It's playing Race games that aren't even tenable this milenium.
Do you want to see the true face of the relationship between black and white america? Here it is.

Her name is Marion Harris, and she was our first 'Queen of the Blues' -She was already a star blues singer 7 years before Ma Rainey and Bessie Smith, a good 4 years before Mamie Smith. In many ways a more intriuging character than even Emmett Miller. While it's cliche to say that white singers were looting black music for economic reasons, she was no diletante. Harris actually gave up her recording contract with Victor, who objected to her version of 'St Louis Blues' . . . The subject of the myth of there being such a thing as 'black' or 'white' music is lengthy, better treated elsewhere by our man Tosches, in his brilliant 'Where Dead Voices Gather' -after nearly 300 brilliant pages that span 3 centuries of american music, he comes to the point:
"No one alive in america today knows what slavery was. The black who professes to be the heir to it's suffering, the white who professes to be the heir of it's shame: these are the stock characters of a minstrel show gone berserk, and they are made for one another, loving slaves to a delusion that protects them from looking beneath their own skin, slaves to a fear that keeps them from loving except through hate. And that makes for damn good business, a culture where the consumer and the product are one in the great mall of mass produced individualism. As it is writ; all consumers look alike to me.
We percieve the coon show of yesterday as gross folly, regard the coon show of today with purblind innocence. Luis Armstrong singing 'Shine' is one thing -but what is to be made, in this supposedly more enlightened age, of a whitened Michael Jackson dewclaiming in rythm, ascowl with dramatic sincerity, that he is 'Bad' ? They are, these theatrical posings, -of our culture, and of our psyche, - like a mirror held at different angles to ourself, that self that is both white and black. The reflection changes, but that which is reflected remains the same. And that which is reflected, no matter how radically it's reflection changes, remains as deeply enigmatic today as it was in the days of minstrelsy. It goes on. Beneath the singer, beneath the song, it goes on.
The real relationship between black and white in america is like that of a couple on the brink of divorce - one accusesthe other of stealing something
-lets push things forward, let's answer Cecil Taylor right now- "what is it you want now
that you didn't want before? "
'Don't you know? I love you.'
"But you said all those things about me, and then you hurt me so bad. . . "
'Yes, that's true -but can't you see,
I've always tried to BE you . . .'
Either 'Race' could call the other is it's hero. Not in word, but in deed. We've all been provably black and white at least since Marion Harris, [whose recordings date to 1916] and probably alot longer than that. [check out the archive.org for some of her downloads. ]
There is no end to this post. Fuck this town.
-Pirata


7.2.06

Bloosh:

The sound heard
from afar
after the skull
of Muhammed
(May Peace
be Upon Him)
is blown
to itsy-bitsy bits
by fanatics;
who dive drunk
into his
sanguine crater,

bloosh!

In Sha' the West


l-a'ro

p.s. "At the council of Nicaea in 325 leaders voted to make Jesus divine." Why woudn't you want Democracy?

6.2.06

Bloosh




Bloosh is a new word with many uses. How do you use it?

el humanista

3.2.06

fotos from chitown








Notice

Notice

This web site is provided for information only. No claims are made of accuracy or validity, and no responsibility will be taken by the author for events arising from use of the information provided.

Creative Commons LicenceThis website is licensed under a Creative Commons Licence.

© All material present on this site is copyright to the author and should not be published elsewhere in any form without appropriate permission. However, any of the information contained at this site may be downloaded for personal use as defined by the Creative Commons Licence.

The content of linked sites are not under our control and we are therefore not responsible for the content of any linked sites or any subsequent links contained in a linked site. These links are provided as a convenience to the visitor and their inclusion does not imply our endorsement.