The Friars

28.1.06

Conflict Vs. the Tercet

Exercising the Tercet (squared--to power-up) and in trimeter

Give me all the money
There's not enough whisky

There's not enough of love

To set the world on fire

So pass me the whisky

and give me back my gun
Give me all the money
There's not enough whisky
There's not enough of love



Recognizing conflict is participating. There has to be another way.

Perhaps, not in any practical sense.

Not so long as there are turn signals and people who do not know how to use them—you know what I mean? Minor tiffs in mediocrity—a remarkable human success. We have achieved mediocrity—after all these generations of trying. We have made it.

Conflict, the artifact that persists. Why?--life without fight is the other thingy--death. We reenact this ritual out of habit...as herd animals--viva la vida. Hasta la victoria siempre! Perhaps its always been this way—oh low if the condition has been so persistent—can we say inherent?

Look at this beautiful madness, this rude order. Look and sigh, change lanes, take a walk, go up and down some stairs. Jesus said to me in Notre Dame on the Ile de la Cit
é, "When there is a hole in your shoe you get wet."

So, go where people gather and marvel. Meanwhile, the only thing that unnerves me is an attitude of certainty--and at its heart, religious.

"But who in the hell am I talking too?
There aint no one here but me.
And he cocked both pistols and spit in the dirt
and walked out into the street."*


l'a-ro

*Tom Ames Prayer. Steve Earle

25.1.06

More Music . . . up and runnin'

There is a world of difference between playing at home and playing out with other people. Unless you have some specific artistic goal that casts you as a soloist, that's probably the most important step you can take. My dad wasn't the flashiest musician, but he was a legend because he was musically fearless and could always deliver a performance, and get others to. So much of performing music, as opposed to composing it is to hear changes of tone, timbre, and tempo and respond in miliseconds. (playing with your ears, not your hands!) This can't be taught: you need experience. So round up some cronies. It's a fabulous way to meet girls -ask them to sing along with you. Get some barfly to play the spoons if necessary.
In order to get it on in public, it's important to study arranging - a bit of a lost art these days. Be aware of the Keys your accomplices have available, and their context as well. As an example, the Banjo is a very idiomatic instrument, so a little research into the types of songs you expect [unless you are looking for a Spinal Tapian 'Jazz Odyssey'] to be playing will show you where you need to go in a hurry. If the songs are I , II , V or I , IV , V learn those chords first -don't get into a mentality learn them all at once or try to play every scale, THEN you'll be ready. Put three chords together, and one scale you can do runs out of, then go let it rip.
It can get to be intimidating to try grasp modes - here's an interesting point: to really understand modes, get your hands on a keyboard -go to a store and use a display if you have to. The thing to know is this: Despite their greek names, and despite what you may have been told elswhere, there really isn't any connection to the ancient world's harmonic structure. The names are part of that 'looking back' that was trendy every few hundred years until the 20th century finally put it to sleep. Modes really developed out of early keyboards' lack of black keys [or white, as they were back in the day] .
If you take any given note, and walk it up to the octave, only on the white keys, the 'mode' describes what notes have been left out. It's a subtractive approach to harmony.
It always seems to me you learn more from writing your own songs, so jump on that as fast as possible, with one caveat - punch your weight to start or it will slow you down. Don't try to write Chopin's wormhole your first time out.

The best single advice I've ever heard about music, Via Glenn Schultz of Thin Weasel fame, is: Don't practice your mistakes. It's a huge help to create that space when you're learning via repetition.

II. - One For Robbie

Rythm
Motion is the significance of life,
and the law of motion
is rythm.

Rythm is life
disguised
as motion
And in its every guise attracts the attention of man .
Tone is the mother of Nature
but Rythm
is the Father

-Prof. Tansen Inyat Khan


III.
Mysteries of the universe revealed . . . . . Creeping Charlie.
Actually, this came in the book jackie got me for Xmass. This is from an interview with John Lee Hooker's daughter.
"They really believed in what's called 'HooDoo'. . . He'd tell us a story about this person called Crawlin'Charlie. If you had someone put a hoodoo spell on you, you could go to Crawlin' Charlie and he'd take it off. I used to think this was somebody my daddy just made up. But as I got older I said 'Daddy, why do you keep talking about Crawlin' Charlie? You know he's not real.' And he'd say 'Yes, He is. He lived Down in the bayou and couldn't walk, so all he could do was just crawl around.' He would say people would travel for miles just to get to Crawlin Charlie and Get their hoodoo undone."
It's easy to imagine that by Tom Waits' time, Crawlin' Charlie could become a term for any number of the hexbreakers that used to be so popular in the dimestores here in the D. A slight regional variation to 'Creeping Charlie' is not much of a stretch. If you feel like nit picking, let me point out that of all the soft sciences, eytmology is perhaps the weakest - try investigating the phrase 'freeze the balls off a brass monkey' if you need a lesson in academia unable to get out of its own way.
-Peace and Soul,
-el Pirata



22.1.06

cornering the sphere

3.

“You wait in here,” David said to himself, “let them go ahead. Skipping rope and breaking windows. Nursing cheeks with dribble cups of despair. Let me instead to time. To know the back of the hand. The intimate land. The face of this basement wall. To know the in between”

He had said he was going forth, to the optimal terrain. He promised to soon send for his wife, his daughters—once established. But he’d been secretly ill. The doctor shaking beads said a thing was growing inside that would burst, shredding his peel—through the skin, plump and ripe. “For a time, I will live only in desire. Soon they'll forget, but me…”

He’d not packed. He would not be traveling, as much as waiting—waiting in different places until this ripeness overtook him. He'd sent a telegram in place of himself; simply: “Delayed. Love. David.”

His heart fermenting. He'd be drunk by it before--before Goliath. He'd learn to fashion the 13 arrows, fletched virtues. His spine--the knotty long bow. He took a hut next to Gauguin.




2.
truancy

1.
he slud into third


l'a-ro

20.1.06

ode ala chivo & high places




Pyrenees, Spain/France


l'a-ro


"for a while i wanted to be a rummy"*



VIVA LA RUMALUTION!! Much thanx to chivo for a happy pryatmas and a rummy new year

-vikingo

*name the famous play from which this quote was taken!

All music issue - part 1: the guitar Sutras of Piratanjoni

I keep getting requests for musical advice, and that's pretty difficult without knowing someone's entire existential situation. Let me start with what I know best, the Guitar, and maybe some of this will filter out in a useful manner.
By, say, 1920, In western pop music, a term that includes the Blues, R&B, everything except that humorless, gelded, carnegie hall jazz and classical guitar, a place had to be invented for the guitar in the orchestras of the day -there wasn't the link to the rennaisance and baroque periods kept alive by Lorcas boys. Most of the early guitarists wound up playing clarinet and horn parts. By the time Rock'n Roll became a houseold word, there was an emancipation. [-though it still goes on, especially in the country music of today]
Once you've run the gamut of that, and don't want to define yourself by what others already played, there seem to be a handful of places to turn - the violin family; trancsribing everyday conversations into notes; Ethnic music with a different harmonic structure [there was a vogue for Hebrew, then Chineese folk songs not long ago]
And, some go to the post rock world of horns, which I think of as a regression -
I always sort of feel that a guitarist has gone bad when you catch them listening to Coltrane sides. . . .
Then there comes the Rebellion against the repeated figure.
We were luckier than most instruments, because the electric guitar was the first instrument that developed timbres beyond itself. This is where Hendrix, then Adrian Belew, and on to Reeves Gabrels today, led us into the realm of pure sound. . . .
At this stage, It gets a bit like Inyat Khan, whose 'mysticism of sound' is a must read. [isbn 81-7769-019-1] Hendrix always maintained he played with his ears, not his hands, which is maybe the best advice on any instrument. Once you've had a few bizarre, ecstatic 'in the zone' experiences, it's hard to go back. At this point there's not alot of difference between music and Alchemy. Transformation and revelation are what you're playing with instead of notes.

This is Music

Alphabets of essential spirit

Manifestation and memories of creation

Gives truth to the lie of time

this resonant whip

of opportunity

18.1.06

truancy

The blinking red light above the rail shack was slow... like a sleeping pulse. Lucy ripped at the already frayed napkin in her lap. It had started to rain but she sat under shelter. The drumstick rain on the tin awning layed a rhythm she knew but couldn't place. Even the last drops of coffee were missing from her paper cup. The train only comes through Billings Pointe twice a week: 11:35 AM on Mondays and 2:40 Pm on Fridays. It was 3:22 but it didn't feel like Friday. Why was there so much dirt in her life? How come this stiff rain wouldn't wash it all away? And why wasn't David here yet?

vikingo

17.1.06




13.1.06

Do It Yourself Nick Tosches

The man has definitely arrived - perhaps years later than he deserved - it was back about 92 [already over10 years late!] - I was reading his liner notes on a Screaming Jay Hawkins [the Black Tom Waits if yer a rootie-toot] cd -then a couple years later Nathan started pushing around a little 'fiction' book called Trinities . . . just those two items would be enough for anyone to be proud of, and of course there are so many authors who are prolific and shouldn't be. . . I thought it would be fun for some of you 'writers' out there to try your own Toshcesian feat - enjoy! - Vivat Pirata
Step one - Read a mess of Ezra Pound to get that sweeping back and forth between the centuries feel - Tosches takes us farther than Pounds simple Latin, but the mood is key. That the man himself references Pound in 'where dead voices gather' and therein lies integrity. A lesser man would try to distract us from an influence.
Step two - lash these facts together - the first keyboard instrument was the organ -invented circa 300 bc by Ctesibius of alexandria, who was looking for some self blowing pan pipes. [make note of the fact that this is almost unbelievable in academic circles -the modern vogue of collaboration and waves and currents make it nearly impossible to belive that and INDIVIDUAL is capable of anything at all except swimming in said currents]
- All the organs in Christian churches are actually carrying the pipes of pan forward through the centuries.
- the Piano arose in the early 1700's out of a desire for a more expressive instrument than the harpsichord -and it was it's ability to play with lighter dynamics that finally brought it acceptance.
-the black keys [at the time the white keys] wern't invented until the 14th century.
- it is a mark of our colonial complex that we use the term piano or pianoforte at all.
If you tell some doll 'say momma, I'm going to play you a nocturn on the SOft and Loud. . . ' it doesn't have the same ring.
Step three - lament the stupidity of those who don't know this, and further lament the stupidity of those who think they're wiser for knowing it. -This is the whole point, and improvement on Pound. It's okay to have an influence if you can escape its gravitational pull!
Step 4 -have a smoke, and a drink! If this is too difficult to do at the same time, practice,one then the other, until you achieve 'simultaneousity', and may the ghost of Bob Stinson smile upon you!


11.1.06

the start of a story

awesome vikingo!!! light's on in the workshop. wrote some today, getting back into it after a nice break. m.c.s.i. l'a-ro




he slud into third*

“There is an ease to interpret liberty by its primary element—anonymity. Then democracy is the shared abstraction, that power can be both remote and representative. Narcissism is the psychological counter-weight. The individual seeks to be gratified by their intimate associations—the rest: an organized field of strangers, accounting for little more than the occasional interruption from mirror gazing; with the sacred becoming the clearest reflection.”
From “Journeys to the New World: Vol.3”, the compiled notebooks of the Veteran Josef Švejk of Tagaste.


David had worked for a short time as an X-Ray technician, with a nose habit; and slyly pilfered the pharmacy to support his obligations, including his twin daughters and Popsicle wife.

His father was born in 1933. His father, like son, had attempted to dodge the family calling. For awhile David’s father worked the line at Dodge Main and was taking a class on television repair. His father said, “The black and white’s were like radios with a few bells and whistles. But color, now that was a whole different ball game.” David’s father missed the first color class, and never caught-up. Years later, he made another try for television, but broadcasting. It was while operating the camera and learning to edit that he suffered a loss of sight. He’d gotten drunk, and vomited with such force it burst a blood vessel in his eye. He had to leave the profession. Bob was David’s father’s name; he spelled it the same backwards as forwards.

Bob’s father was born in 1900 and came to America in 1928—good timing, for a bootlegger. But his sister was the first to arrive, started cooking the booze. She found a farmer in Ohio willing to sponsor her brother in exchange for money. He tried to visit years later, to say thank you. But no one was there; were they ever? Either way, after Prohibition the sister married her brother’s father-in-law, his new partner in business, an enormous butcher; and when he died, the one family came to own the store (the first grocery store with shopping carts in Detroit). The sister and her new husband bought-out Bob’s father. The boys would be coming home from the war and needed a place to work.

Bob’s father opened a bar across the street in 1944, after V - E Day. People told him he was crazy, that after the war manufacturing would slow, belts would tighten. They laid a Japanese flag at the doorstep. People wiped their feet on it when they walked in. The building had been a corner bank that closed during the Depression. There was still a walk-in safe on the first floor and another on the second. And there was a basement window that opened so the kegs of beer could be rolled down a ramp.

When Bob’s father left the old country he had been responsible for taking the potatoes and plums to market with a horse and carriage. When he returned for a visit in his 67th year he wore a camera (a Kodak Dualflex IV)—that he did not know how to use. His family had the Soviet version. His shutter had gotten switched to “long”. Every photo was a blur. Bob’s father’s name was Anthony.

On a wicked day of autumn, when the ground could not refuse to swallow another corpse, a man slud into third, out by Meningitis. David went to the funeral. And that man’s dog died of heartache. David had stopped the x-rays and had gotten into real estate. He had his house built on a lake. And David believed he would never have to say he was sorry.

Then suddenly, David was sludding into third. They cut him out of his Q45. Television commented on the traffic jam, making reference to an injury accident. A helicopter swung overhead. The doctors asked the family for a photograph to rebuild his face. The most recent was from a fishing trip in Alberta, holding-up a Salmon. He was x-rayed. His technician was not pilfering the pharmacy, but working the clock and grumbled how, “it is always urgent”.

David lay in a hospital bed. He was heavily sedated; his family rushed towards him, while others were delegated to make phone calls. He had thoughts he would never remember. David drifted towards the old country. He said in his head, "grant me chastity and continence, but not yet", as the details overwhelmed him becoming un-recallable.

*said by Dizzy Dean, the baseball broadcaster--and braggart of the mound (that grave in the center of the diamond).

*it was Augustine who was born in Tagaste, not Švejk. And Augustine who said in hitting the snooze on waking from his carnal life, "grant me chastity and continence, but not yet”. Though, Švejk was a veteran of Tagaste, having fought there long before coming to what would become the Czech Republic and having his fateful adventures during the world war. Incidentally, Švejk was from Hippo.

: )


greetings from singularity


First, I do not believe an accurate statement about life (truth, insert any occasionally capitalized word used in pompous summary)—can be made using negation; nor by negation be understood. It simply is and in outrageous complexity; and the categorization of the infinite gets us no closer to comprehension—only action. Comprehension is not necessary for action, only sufficient inklings. And that is our purpose—action; as alive is our nature.


In making decisions we abstract information, which means the suppression of details. This is a tool for immediate employment, not long term analysis, which can afford the indulgence of detail.


This would then suggest that Plato’s forms, though not wrong, simply have been burdened with misapplication. And I believe we have the luxury of contemplation, bequeathed by the knowledge of death—the necessary component of consciousness.


Still it would follow that, our thinking would always remain rooted in the context of duality; hence purposeful thought—even as it comes to nothing and is bordered by nothing—is realized by being effectively contrary.


Contemplation then, or as above, a description of life, the world, Etc. would be most accurate when free from the threat of death—an obvious impossibility, unless we resort to fictions, what have been called essential fantasies—humanity, the afterlife. In the mean time we can pretend, by abandoning forms through the realization of distinctions.


Without abstraction the detail of every substance and feeling becomes its own singularity, confirms itself, and will never repeat.


But what happens to the observer in this activity? They too have become singular—in every distinction a burgeoning detail. It does not reduce by likeness--this rebellion absorbs every characteristic as being of equal merit.





But, we are governed by ease (not possibility)—survival’s cosmopolitan offspring--our old friend lazy. And this ease (yes, the will to power) adopts a creed: “Why plan when you can react?” Singularity watches from a distance and goes and gets a beer. The shit hit the fan. And no one saw it coming? Go figure.


We're lost except for love. And hints of love's most complete expression can be found in Timpano.


: )


gl hf dd kl*


David dropped a token into the game. You start with three lives. And can win more as you go along. His cigarette was burning in a previous rut in the plastic left of the joystick. His name (DVD) was already on the board, had been first through third. But IMCMN was breathing up on him from second. David needed to beat his best. But that had been an exceptional day. He’d always seen the spots, tiny microorganisms that would dwell on the edge of his perspective, visible in a partial squint. He began the day looking for them; as they lived, like in all eyes, resting in the moisture over the pupil—moving the eye does no good to see them, and was for David, a terribly difficult habit to break. But the days when he let his vision be still and range between the parasitic microbial level and the sky, all out of the corner of his eye, were always good days, days of accurate and spontaneous reflexes.


The game always started the same, introductory levels that have become predictable—a warm-up. He got his first extra life. In the pause he tried to puff on his cigarette which had burned-out. And he wished there was a game like this in the Casino up north, instead of hunters in orange and plaid, professionals. Here he paused the game and stretched. He walked out to the light of day through the black painted glass door. Six lanes of cars speed by, a half mile between lights. The sky was grey like recycled newsprint. He had his keys, his wallet. Maybe he’d try again tomorrow. He hadn’t felt up to the lead lately. David wrestled electronically. He unlocked his bicycle.


* good luck, have fun, don't die, kill lots


: )


the old country


The railroad runs between places, long lonely tracks through the wilderness. David waited in the station, the train long since on its way. They use narrower gauge track over there, and have to climb the mountains just before; with any snow the grade becomes too steep—engineering feat though it was in its day. Seemed to David like everything ran a bit slow over there, like they were maybe 10 years behind. David had gone into the railroad café in the afternoon. A pair of men in uniforms told him they couldn’t be sure when the train was going to come unless there was serious trouble and would be delayed for days. And when he tried to pay for his coffee the woman told over the bar that his money could not be accepted, that he must go to the change bureau at once. He asked if a bus continued on. She offered to change some money, but only small bills. There wasn’t a bus. But there was a taxi. David didn’t believe anything anyone said to him, not a word.



: )


10.1.06

la poetical braidiotical

l'a-ro and i have been trading poems for a while... (semi consistently)
here is my latest response to him. much love to you all in the new year

i would have lurched forward
out of these staining waters
had i the sand
the ability to take a life by force
but the sinews are so wrapped
along my outer skin and
trickling between each rib
of my heart's cage
holding my shoulder to my arm
and my arm to my shoulder
flowing in my disrupted bloods
and dancing in my brain's television
so much so
that i can't decipher importance or grief
flowers painted gray overthrowing love

i would have soared forward
out of these freezing waters
had i the fervor
the ability to give my life by grace
but the fingers are so twisted
sidewalks can't form the chords and
skyscrapers forgot the words
of my heart's rage
blocking the sun from my eyes
and my eyes from the sun
the empty lot's a skipping record
repeating in my brain's phonograph
so much so
that i can't find the right song
to turn the roses red again

--el vikingo

latest reading:
li-young lee "the city in which i love you"
****gorgeous!!

From: Philip Cary, Lecture 15. “The Hebrew Bible and Covenantal History”, course title: Great Minds of the Western Intellectual Tradition, 3rd Edition. Described by The Teaching Company (retailer of the lectures) as “The Intellectual Adventure of a Lifetime”—indeed; Course no. 470.

“I am aDoNoY.
I am the new god on the scene.”


*Your first call for Hebrew Translation Services should be 1-800-Translate; aDoNaY was translated to mean Lord(s).


tierra mi sioux
l'a-ro +mi casa drink pony malta and tested into french three (trois)+

7.1.06

soon

nod to you humanista, good times at Dakota—yes, again soon.

trying to piece together a release on singularity/distinction, soon; I take on the humor of anticipation.

But, for the moment, this morning, this waking in the dark, watching then the blue, sky and rooftops shifting into easy vapor, between the last pages of The Architect and the Emperor of Assyria (a play about mingling)... yet, before, before more, this here (& then the rest soon):

my joy does not need
the excuse of explanation
it mingles with regret
sharing itself with grief
its incisors
shake its prey
then swallow it whole
drowning in a moment
pregnant with grandeur
saying not, “no”
but, “now”
to the persistent
enormous and burgeoning

l'a-ro

5.1.06

El Humanista

May I start by saying how great a time I had at the Dakota with fellow friars? Thank you. We shall have to do this again soon. New Year is upon us and I feel sort of recharged. I continue the belief that even years are better than odd ones. for me, we're all allowed our superstitions. new years eve I attended a concert with a ton of Detroit rock "royalty" (sic sic sic) and all, pretty ridiculous, there must have been ski slopes backstage to satisfy all these... But "Loretta and the Larkspurs" are great, look them up on myspace (if you have an account, I don't and feel weird about even talking about myspace.)

I have just finished reading two books by Michael Chabon. The first was his first, The Mysteries of Pittsburg. This was a nice, short, very American novel that reflected major themes of Catcher in the and Gatsby. Chabon is a great creator of characters both likable and distestable at the same time. The second, and "his best" thus far, The Amazing Adventures of Kavalier and Clay. I must say, 'You should read this book'. It won the pulitzer I think, but is not as thick as Mailer or Roth, a great story about two cousins who write comic books coming out of the depression.

Anyway, I will close with a poem that I was inspired to write after a meeting on the street near my house one day.

Love Ya'll

vision is blurred and teary-eyed
He shudders in the pouring outside
“This morning, I lost my son,” she says

“My phone is out of minutes
and I need
To buy a greyhound ticket”

Why are you here, right now-
How can a person be lost?

“I don’t usually beg for change-”
She is beautiful as a breathing thing
An animal with emotions

If we sit here, on the corner, in the run-off
And you tell me-
Will I ever understand?

“Oh damn it.” –she doesn’t curse at me
But gives up again,
How many times now
Years, habit, instinct like milk

What Greyhound
Where to
The war?
The city?
Some other corner?
Or are you running away?

I would go with you if I could trust you
I might not give you a dollar
But I would spend a dollar on you

Unless this is all fabricated
People say the damnedest things
When they are hungry

Your son is not on this street and lost
But you keep on
bent and groveling in foul

An angel, a winged messenger
Storms out of the sky
Grabs her by her two thin strings
And lifts her up
But she cannot stand on her own

“My son is lost”
I am sorry

-El Humanista

4.1.06

Marco Polo describes a bridge, stone by stone.
"But which is the stone that supports the bridge?"
Kublai Khan asks.
"The bridge is not supported by one stone or another,"
Marco answers, "but by the line of the arch that they
form."
Kublai Khan remains silent, reflecting. Then he adds:
"Why do you speak to me of the stones? It is only the
arch that matters to me."
Polo answers: "Without stones there is no arch."


from Invisible Cites by Italo Calvino

& then drawing and text
from Noa Noa by Paul Gauguin (The Tahiti Journal 1894-1896)

...through her I enter into mysteries which hitherto remained inaccessible to me. But, for the moment, my intelligence does not yet reason out my discoveries; I do not classify them in my memory. It is to my emotion that Tehura confides all this that
she tells me. It is in my emotions and impressions that I shall later find her words inscribed. By the daily telling of her life she leads me...


l'a-ro

2.1.06

2006

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